Tuesday, 9 March 2010

Cheers to you Nottingham!

When we decided to move for my partner’s job almost seven years ago, I wasn’t even quite sure where Nottingham was (I know - I’m sorry!). I’d lived in South London all my life; I was surrounded by family and old friends. My son was still at infant school, my daughter still in nappies. Things were safe and happy, if in a bit of a skint, day-to-day bumbling-along, unthinking kind of way.

Moving away with hardly any money and no guarantees and small children to re-settle wasn’t easy, but I soon started to discover brilliant Nottingham things (wonderful countryside nearby, some excellent eating, music, cracking cocktails, lovely people …). And I had no idea that books would become such a part of my life here too.

Before I moved to Nottingham, I wasn’t published. Although I’d always loved writing and becoming an author was a long-term daydream, I had never considered studying creative writing and I rarely shared my stories. Firstly, living in Nottingham gave me the space to start taking my writing more seriously. And later on, it offered me support.

Nottingham Writers’ Studio has been inspirational, presenting many opportunities, along with introductions to a varied and vibrant range of writing people from poets to journalists, playwrights to publishers (including my wonderful second publisher, Weathervane Press). There really is an awful lot of fabulous writing business going on in this town. And the fiction produced here is amazing.

I’ve just finished reading Maria Allen’s hugely enjoyable and evocative debut Before the Earthquake. Just before that, I was blown away by Jon McGregor’s third masterpiece, Even the Dogs - and before that, I was enormously moved by Frances Thimann’s haunting collection Cello and Other Stories. Over the next month, I’m looking forward to reading Nigel Pickard’s Attention Deficit and Roberta Dewa’s Holding Stones. And last Saturday, while attending the East Midlands Writing Industries Conference, the supremely talented Nicola Monaghan (acclaimed author of The Killing Jar, Starfishing and The Okinawa Dragon) came over to ask me to sign her copy of The Dawning! I already knew how lovely and supportive Nicola was from reading with her last year – nonetheless, I was dead chuffed. And very pleased, and very grateful, to be writing in Nottingham too.

Sunday, 7 March 2010

Fiona Reviews!

Fresh from the success of her brilliant Blogsplash, the talented and lovely Fiona Robyn has nonetheless taken the time to read and review 'The Dawning'

http://www.plantingwords.com/2010/03/dawning-by-megan-taylor.html

Thank you Fiona!!

Sunday, 28 February 2010

Thaw Blogsplash



Ruth's diary is the new novel by Fiona Robyn, called Thaw. She has decided to blog the novel in its entirety over the next few months, so you can read it for free.

Ruth's first entry is below, and you can continue reading tomorrow here.

*

These hands are ninety-three years old. They belong to Charlotte Marie Bradley Miller. She was so frail that her grand-daughter had to carry her onto the set to take this photo. It’s a close-up. Her emaciated arms emerge from the top corners of the photo and the background is black, maybe velvet, as if we’re being protected from seeing the strings. One wrist rests on the other, and her fingers hang loose, close together, a pair of folded wings. And you can see her insides.

The bones of her knuckles bulge out of the skin, which sags like plastic that has melted in the sun and is dripping off her, wrinkling and folding. Her veins look as though they’re stuck to the outside of her hands. They’re a colour that’s difficult to describe: blue, but also silver, green; her blood runs through them, close to the surface. The book says she died shortly after they took this picture. Did she even get to see it? Maybe it was the last beautiful thing she left in the world.

I’m trying to decide whether or not I want to carry on living. I’m giving myself three months of this journal to decide. You might think that sounds melodramatic, but I don’t think I’m alone in wondering whether it’s all worth it. I’ve seen the look in people’s eyes. Stiff suits travelling to work, morning after morning, on the cramped and humid tube. Tarted-up girls and gangs of boys reeking of aftershave, reeling on the pavements on a Friday night, trying to mop up the dreariness of their week with one desperate, fake-happy night. I’ve heard the weary grief in my dad’s voice.

So where do I start with all this? What do you want to know about me? I’m Ruth White, thirty-two years old, going on a hundred. I live alone with no boyfriend and no cat in a tiny flat in central London. In fact, I had a non-relationship with a man at work, Dan, for seven years. I’m sitting in my bedroom-cum-living room right now, looking up every so often at the thin rain slanting across a flat grey sky. I work in a city hospital lab as a microbiologist. My dad is an accountant and lives with his sensible second wife Julie, in a sensible second home. Mother finished dying when I was fourteen, three years after her first diagnosis. What else? What else is there?

Charlotte Marie Bradley Miller. I looked at her hands for twelve minutes. It was odd describing what I was seeing in words. Usually the picture just sits inside my head and I swish it around like tasting wine. I have huge books all over my flat; books you have to take in both hands to lift. I’ve had the photo habit for years. Mother bought me my first book, black and white landscapes by Ansel Adams. When she got really ill, I used to take it to bed with me and look at it for hours, concentrating on the huge trees, the still water, the never-ending skies. I suppose it helped me think about something other than what was happening. I learned to focus on one photo at a time rather than flicking from scene to scene in search of something to hold me. If I concentrate, then everything stands still. Although I use them to escape the world, I also think they bring me closer to it. I’ve still got that book. When I take it out, I handle the pages as though they might flake into dust.

Mother used to write a journal. When I was small, I sat by her bed in the early mornings on a hard chair and looked at her face as her pen spat out sentences in short bursts. I imagined what she might have been writing about; princesses dressed in star-patterned silk, talking horses, adventures with pirates. More likely she was writing about what she was going to cook for dinner and how irritating Dad’s snoring was.

I’ve always wanted to write my own journal, and this is my chance. Maybe my last chance. The idea is that every night for three months, I’ll take one of these heavy sheets of pure white paper, rough under my fingertips, and fill it up on both sides. If my suicide note is nearly a hundred pages long, then no-one can accuse me of not thinking it through. No-one can say; ‘It makes no sense; she was a polite, cheerful girl, had everything to live for’, before adding that I did keep myself to myself. It’ll all be here. I’m using a silver fountain pen with purple ink. A bit flamboyant for me, I know. I need these idiosyncratic rituals; they hold things in place. Like the way I make tea, squeezing the tea-bag three times, the exact amount of milk, seven stirs. My writing is small and neat; I’m striping the paper. I’m near the bottom of the page now. Only ninety-one more days to go before I’m allowed to make my decision. That’s it for today. It’s begun.

Continue reading tomorrow here...

Or buy the complete novel right now, right here (-:

Saturday, 27 February 2010

I will Never, Ever Cease to feel Excited at the Sight of My Book on a Shop Shelf


I went into Waterstones in Nottingham yesterday, and there it was.

Small, but perfectly formed.

I will never, ever cease to feel excited at the sight of my book on a shop shelf. It's what I used to dream about when I was little. It's what I frequently still dream about now that I'm big.

I'm very, very, very, very, very, very happy.

(now somebody just has to buy it, so that they'll order in some more ...)

Tuesday, 16 February 2010

3 More Brilliant Book Things

1.
A very kind review of 'The Dawning' at the unique and fabulous Literary to Sensory blog site

2.
An invitation to read and chat about 'The Dawning' at the amazing Independent Press Day at De Montfort University, Saturday 2oth March.
(There will be so much buzzy independent stuff going down here - stalls, launches, talks - and it's all free and open to EVERYONE. You should really come along)

3. An interview with the esteemed Ms Shanta Everington over at the innovative, incredible View From Here
just a little bit EXCITED!!!

Saturday, 6 February 2010

Feel the Fear – And Bumble Recklessly Onwards Nonetheless

It’s brilliant being published – but it’s also a little bit scary. Don’t get me wrong - every nanosecond of that scariness is more than worth it, but (if you’re a bit of a blundering scatter-head like me) it can also be sort of . . . challenging.

For a long time, reading my work before an audience made me milky-kneed. It’s not quite so difficult anymore. I’ll never be a performer, but now that I’ve finally understood that it’s about connecting with people rather than scrutinising my own unliterary accent, or my wobbly tone, or my hair, or my lipstick (or whatever) it’s definitely easier (and sometimes I actually, secretly, rather like it).

But then this week, I was invited to my local BBC Radio station to talk about ‘The Dawning’. My publisher happened to meet John Holmes, and then happened to foist (I’m sure in a very friendly way) a copy of my book on him. John liked it, and invited me on his show. I was completely honoured. And utterly terrified.

But John was lovely. And so were so many supportive friends in the nervy run-up.

I gabbled – it passed in a blur. And you can Listen Again here for the next seven days (apparently I’m on 47 minutes in), if you should so wish. I’m not sure if I will, but you can because I’m feeling brave. And hugely grateful (I really can’t tell you how much that support has meant). And very, very lucky.

Tuesday, 2 February 2010

Thaw



"I feel strange after writing today. Like I have a blackbird in my stomach."
(p21, 'Thaw' by Fiona Robyn)


A vivid and delicious lyricism runs throughout Fiona Robyn’s compassionate and compelling third novel, ‘Thaw’.


‘Thaw’ tells the story of thirty-two year old Ruth, who ‘doesn’t know if she wants to be thirty-three’. Her life is meticulously ordered, her relationships painstakingly detached – her loneliness devastating. ‘Thaw’ is Ruth’s journal, covering three months, as she decides whether or not she will take her own life.


Last year, I interviewed Fiona after reading her assured and sensitive debut, ‘The Letters’. There was a delicious ease to reading that novel, a pleasure that I compared to sinking into a warm bath – although similarly lifted and illuminated throughout by Fiona’s deft, poetic voice, ‘Thaw’ is very different.


Describing deep-seated loss and self-destruction, it is a necessarily darker, spikier read, and yet the pacing of its diary structure makes it difficult to put down. Most of all, there is an authenticity about Ruth and her struggles that cries out for understanding, reaching far beyond the novel’s pages.


It is this sense of empathy, combined with the beauty of Fiona’s prose, which makes ‘Thaw’ such a valuable and unforgettable book.


"She is all curve and smooth skin. She looks like a seed or a bulb; if you planted her in dark compost and waited patiently, she'd burst into flower."
('Thaw, p.42)


Fiona is celebrating 'Thaw's publication with a unique, literary, internet experiment. From March 1st, she will be blogging the entire novel, for free, here!*

In order to spread the word, she's beginning with a Blogsplash and she needs as many bloggers as possible to get involved. If you'd be willing to host the first page of the fantastic 'Thaw' on your blog on March 1st, please do get in touch ...


*though I personally think it would be better not to wait. You can buy this beautiful book right now.

Thursday, 28 January 2010

How It's Been

During the past fortnight, among other things, I have . . .
Sprained an arm after slipping in the ice
Stared in awe at a box of shiny new books
Danced around my living room
Jumped up and down a bit
Read to a packed room of lovely, supportive folk at NWS
I have
Signed books
Sold books
Posted books out in neat, brown packages
Confiscated a book from my eight year old daughter
Taken the very same book out for cocktails
And one day, into work (and then felt suddenly too shy to mention it)
I have also
Grazed a knee for no good reason whatsoever
Been recorded for three separate podcasts
Interviewed on two brilliant blogs (thank you Caroline and Nik)
Written a ridiculous amount of emails
And barely any fiction
Been spoilt rotten
Had loads of fun
Turned 37
And slept (a bit)

I have felt -
Excited, delighted, panicked, unreal, exhausted, rejuvenated, overwhelmed, unstoppable, tipsy, terrified, grateful, lucky, happy, happy. Happy.

Saturday, 23 January 2010

Today's the day . . .


that 'The Dawning' is officially released!!!

Thursday, 21 January 2010

Caroline's Blog

. . . And the most marvellous Mrs Smailes has interviewed me over on her blog too!
(I am such a lucky woman)

There's a chance to win a copy of 'The Dawning' if you fancy dropping by . . .

Saturday, 16 January 2010

Nik's Blog

The lovely Nik Perring has interviewed me (already!) about 'The Dawning'. Please visit his blog if you'd like to find out more ...

Friday, 15 January 2010

Early Release!

A message from my wonderful publisher, Weathervane:

Megan Taylor's terrific second novel 'The Dawning' is published by Weathervane Press on January 23rd, but there's no need to wait - you can order from the Book Shop at www.weathervanepress.co.uk and get free uk delivery right now.

'The Dawning' is a tense domestic thriller set in a wintry Peak District on New Year's Eve - a time for celebration, but for each member of the fragmenting Haywood family this night could mark the end. 'The Dawning' explores the danger that can arise even at the heart of a family, over the course of one dark night.

Megan will read from and talk about 'The Dawning' to members of Nottingham Writers' Studio on January 21st. For more details and information on NWS see www.nottinghamwritersstudio.co.uk

Saturday, 9 January 2010

The Dawning of 'The Dawning'


There are only two weeks to go until ‘The Dawning’ is released!
I can’t believe it will be happening so soon, although (before the workshops and the revising, the submitting and the waiting) the ideas behind my new novel actually arrived almost three years ago . . .

(I think it might be flashback time - imagine several atmospheric piano notes and perhaps the edges of your screen rippling into dreamy soft-focus)

‘The Dawning’ began in the car with my family, driving back from a day out in the Peak District. It had been a good day, as they still are, although we’d been walking through woodland instead of along one of the Edges as we often did, back then. My daughter, who was five at the time, had been happy hunting for fairies and the freakiest looking mushrooms. My son had, as usual, fallen ‘accidentally’ into a stream. Their dad was at the wheel and I was half-dozing, tired and happy, full of a pub roast and two large, leisurely glasses of dry white wine. Along with the sounds of the kids chatting in the back and the tarmac murmuring beneath us, Regina Spektor was singing from the stereo in her dark and joyful, playful way.

It was getting late. Outside, beyond the road and fields, the trees were black against the sky. I closed my eyes, thinking vaguely about the day we’d had and how I’d come to love the Peak District, and about going home, all sorts of home . . . I thought about our move to Nottingham, and the old London flat I’d left behind . . .

And then, as if out of nowhere, I was picturing a large, stone house with long, gold windows. I saw a back door opening, releasing more gold light and a figure emerging - a small, shadowed figure in a hood. He stood for a moment on the sloping step, gazing out into the dusk.

That image, that boy, would stay with me, although I was already drifting, resurfacing, and thinking simply about twilight – about the day folding in and the night rising. About that feeling that you get sometimes, of going under . . . I thought about one, long night in the middle of winter. A night of secrets, and of endings. I thought about New Year’s Eve.

I opened my eyes, suddenly excited. And all over again, I saw the beauty of those trees.



Far too early the next morning, I crept out of bed while the rest of the house went on sleeping. Throughout the night I’d been unable to shake free those images. It was still dark outside when I started to write what was to become my second novel, ‘The Dawning.’

Thursday, 31 December 2009

And a Very Happy New Year!

"On the radio, the shouts and cheers and high-pitched whoops have finally subsided to allow Big Ben the space to toll the hour. It feels almost religious, this ritual pause. You can sense the crowd waiting, listening, a mass drawing in of collective breath as those ancient bells ring out with dark, metallic gravity. They seem to grow louder with each peal. They seem to go on endlessly, as if marking so much more than twelve o’clock ..."

From 'The Dawning', to be published January 23rd!!!
:-D

Wishing Everyone an Excellent and Exciting New Year - may 2010 bring you all that you desire, and more xx

Wednesday, 23 December 2009

Merry Christmas!


To One and All xxx

Monday, 21 December 2009

Festive Story Time

This crept out when I was supposed to be writing about Other Things. It’s a sort of story. And sort of Christmassy (well, there’s snow). I hope you like it.


Charlie, in the Snow

The snow is falling, white and wet, in the way of snow. I watch it settle in her eyelashes and in her hair. I watch her watching it.

My little sister. Charlie.

Big, pale, blue eyes (the blue of winter shadows, the blue caught beneath thick ice). Pink, parted, cupid lips. Just seven years old as she stands there amidst the sparkle, with her small, soft arms lifted towards the blackness beyond it all, her mittens dangling from her wrists.

The mitten-strings are invisible so that the gloves themselves appear to float alone like some magic trick. Small, lilac clouds. And I notice how Charlie is swaying, just perceptibly, in her moon-boots. I stare at her woolly knees and at her blond hair and her rosy cheeks and I think how people are right; she is truly “Angelic”. She doesn’t belong in this world; everyone agrees.

Ever since she learnt to talk, she has told us herself: God is here. Inside me.

Of course she was the first to know. Mom never told her to say such things, despite what certain folk imagine. The truth, I think, is that Mom is actually a little scared of Charlie, underneath. But then aren’t we all a bit afraid of her in our secret, separate ways? And that’s right, isn’t? Shouldn’t holiness, after all, be at least partly frightening? Awesome – I think, and I don’t use that word the way that other kids would.

As I stare at Charlie, I try to see it, that hard place, that holiness inside her. A thread of burning ice amidst that softness. It’s probably clearest when she’s Healing, whether she’s illuminated by the angled spotlights and generous candle-dazzle surrounding our Church’s altar, or caught within the smaller, nervy flicker and fug of a Chosen sickroom. Perhaps you might glimpse the Truth inside her then, as she lays on her small, splayed hands. It’s there in the pinched concentration of her doll-like features, in the increased frosting of her gaze. A kind of ghost-light, which further enhances that wintry blue, while the Uncured groan and shudder underneath her. When they finally give in, weeping, to her shivering touch.

It’s because you can see Him moving through her, Mom says. His Holy Spirit.

But I can’t see that coldness in Charlie now. That icy flame is nowhere close.

Right now, with her head flung back and her gold hair pouring and glimmering past her fallen hood – right now, as she catches flakes like feathers on her lapping tongue, my kid-sister looks like any child. Like any seven year old, lost simply to the magic of snow, to that dizzying, obliterating tumble. And usually, even when she’s not Healing or Praying, when she’s not ablaze, but meant to be simply playing, or resting, Charlie’s expression remains careful, guarded. It’s an old-lady look, almost – but not tonight. Tonight, she stands gawping and open before the whirling sky.

Dumbstruck, I think, and maybe that’s why I dare to bend to my knees amidst the wetness and scoop up a handful, packing it tight against my already-stinging, blotching palms.

And “Charlie!” I call in a teasing voice, as if this is something I always do, something quite natural to us – as I draw back my arm and throw.

The snowball hits her squarely in the middle of her back. It drops in satisfying cream-pie strings from the ends of her shining hair. And I’m immediately gasping, bent with laughter at my own audacity; I’m helpless as she turns, still caught in a kind of halting, jarring wonder, towards me, her blue eyes wider than ever.

“Hey,” she calls, “Hey you, Sammy!”

But through the stars, through the shattering glass piercing my own hot, wet vision, I see that her flushed face remains open, that her red mouth remains open; she’s grinning back – and then she’s crouching against the thick white, packing her own ball in return. And she doesn’t pause to pull her mittens on, she’s too determined. She’s going to get me too – except that then, when she straightens, something happens. Her shoulders hunch as she lifts her face and sees not just me, I understand that – but the Church looming over us, its relentless light glaring in garish patches at my back. Painting trapdoor panels in the settled snow between us.

I watch Charlie’s hand fall open. A small pink starfish. The laughter dries on my clumsy, chapping lips and my mouth feels full of stones as the whiteness slithers from her fingers.

And suddenly I see that there is perhaps nothing illuminating her gaze except that yellow from the Church windows –

Nonetheless, I bow my head as she pads past, her precise, little footsteps almost silent as she returns inside to save us all.


By Megan Taylor, December 2009
_____________________________

Monday, 7 December 2009

The Fear from Here

The rather lovely and talented Shanta Everington has written an article over at 'The View From Here' in which she tackles the prickly and interesting issue of a writer's fear when it comes to actually being read.

As well as discussing her own post-publication nerves, Shanta also discusses the experience with Anne Brooke, Fiona Robyn, and myself (not that I'm ever really scared of readers or reviewers - honest).

The feature can be found here.

Friday, 4 December 2009

Sneak Preview


: )


And last night, I read a pre-launch extract at Nottingham Writers' Studio, alongside Steven Wilcoxson, who was promoting his fascinating debut, 'Make Less Strangers'. Everyone was hugely lovely and supportive. It was a really fun night.

And during the next couple of weeks, I'll be sent my final proofs. And we have a tentative launch date - 23rd January 2010 (which happens to be the day before my birthday)!

And it is nearly Christmas!!

I'm so happy I think my head might actually fall off.